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Books

sheremeta2

On Location

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Technique

  • mj2013gumbichrom

    Gum Printing and Other Amazing Contact Printing Processes

  • DigCaptureDark

    Digital Capture After Dark

  • Worobiec1

    Tony & Eva Worobiec: Icons of the Highway

  • Colier1

    Michael Collier: Over the Rivers: An Aerial View of Geology

  • NKGuy

    N. K. Guy: The Lens: A Practical Guide for the Creative Photographer

  • HJKamps

    Haje Jan Kamps: The Rules of Photography & When to Break Them

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  • sheremeta2

    The Event at Rebecca Farms

  • shaw1

    Images in the Wilderness

  • mj2013dreyer1

    Turkey and the Art of Travel Photography

  • Myers1

    Field Work

    What Gear to Bring into the Field– and What to Leave Behind

  • chuck graham, sand dunes

    Chasing Shadows

    The Art of Photographing Sand Dunes

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  • mj2013persinger1

    Demystifying the Digital Negative: A Short Primer

  • mj2013skupin1

    Altered Worlds: Photo Encaustic Part II

  • Figure 1. Mel Brown at Christo’s Lounge in Salem. This image was taken towards the end of the set and the noise is substantially worse than at the beginning due to the sensor becoming overheated. Leica M9, 50mm f/2 Summicron lens. ISO 2500, f/4 @ 1/30 second.

    Noise Reduction in Digital Photography

  • saffirMA13j

    Selective Color Adjustments in Adobe Photoshop

  • chambersMA13a

    Small Sensor Cameras Make the Grade

  • anchellMA13a

    Creating a Panorama with Lightroom & Photoshop

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The Wolf On My Island, 2011. 15x22 inches. Handmade book, illustrated with toned gelatin silver photographs.

On Photography

mj2013printedart

Gear, Apps and Good Stuff

Fang-Yi Sheu

Portfolios

  • The Wolf On My Island, 2011. 15x22 inches. Handmade book, illustrated with toned gelatin silver photographs.

    Brian Taylor and the Photographic Narrative

  • hirschMA13a

    Mia Fineman

  • ATress1

    Arthur Tress: Documentary Fiction

  • Chiarenza1

    Carl Chiarenza: Transmutation

  • vestalvintage1

    Vintage JPEG on the Fly

  • belger1

    The Fantastical Machines of Wayne Martin Belger

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  • mj2013printedart

    PrintedArt

  • mj2013sardina

    La Sardina Moonassi

  • mj2013snapheal

    Snapheal

  • mj2013yeti

    Yeti from BlackRapid Inc.

  • mj2013canson

    Canson Paper for the Digital Darkroom

  • findercodes

    Keep Track of Your Gear with FinderCodes

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  • Fang-Yi Sheu

    The Subtleties of Expression

  • mj2013pepper3

    Air Show Photography

  • Bond1nd9

    Photography and Music:

  • Pinardy2nd9

    Kenvin Pinardy

  • massaia1

    Nightfall in the Suburbs

  • Lewis3ja9

    A Zeal for Wilderness

    The Photographs of Marc Adamus

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Featured Articles
mj2013persinger1

Demystifying the Digital Negative: A Short Primer

written by: Tom Persinger

One obstacle faced by those working with historic photographic processes is how to quickly and easily create a reliable negative−a method that doesn’t involve complicated steps, calculations, graphs and all of the tedium that might cause one to fall into a glazed stupor. Another challenge is consistency of procedure. If you’re working in an inconsistent manner success will be rare. If you can control both the procedure and the negative, everything else will fall into place and success will be yours. Finding first black. Nearly all 19th Century prints were made using contact printing methods, which means that the negatives Read more »

mj2013pepper3

Air Show Photography

written by: Kevin A. Pepper

An air show has this emotional effect. Maybe it takes you back to our childhood aviation fantasies, or maybe it’s the raw speed. Whatever the reason, it’s an excellent day out with friends, family and your camera. As with any photographic genre, there can be real expense. Your gear can range from discount specials to the ones that breaks the bank. You know the kind, the long lenses that leave others with lens envy. No matter what gear you own, remember, it’s not always the gear that takes the great photo, it’s the space between your two ears that will Read more »

shaw1

Images in the Wilderness

written by: David Shaw

The Wild Landscape The river, far below, looked like a thin silver ribbon as it wound in bends out of sight to the west. At nearly midnight the shadow of the mountains was finally encroaching on the wet tundra of the valley floor. But from my perch high above, the sun would remain for another hour at least. When I raised my camera to compose an image of some strange monolithic rocks, it occurred to me that I was quite possibly the first person to ever photograph those stones. When I clicked the shutter the mechanical sound and glow of Read more »

mj2013skupin1

Altered Worlds: Photo Encaustic Part II

written by: Jill Skupin Burkholder

Beyond the Basics A photography student showed up on the second day of an encaustic workshop with a huge smile on her face. After learning the basics on Day One, she had gone into a local art supply store that evening and roamed the aisles. “For the first time,” she said with a grin, “I felt like I belonged there.” I knew exactly what she meant. As photographers, we share a history of chemistry, foul concoctions and magical toners but rarely do we get the chance to enjoy a stroll through the paint aisle, having our imaginations tickled by the colors Read more »

mj2013dreyer1

Turkey and the Art of Travel Photography

written by: Steve Dreyer

There are many articles on travel photography that hit the usual “hot button” checklist, but many photographers want to make their images more unique than the typical photos seen in travel brochures or on the web. This article is about my recent trip to Turkey and how I approached several situations in the field. Turkey had never been on my list—until recently. A country divided between Asia and Europe, it seemed like a great place to make interesting images, even of often-photographed locations. I wanted to capture historical, cultural and modern aspects of the country during my trip. I spent Read more »

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